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Rode Video Mic Pro

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$10.00/Day

Offering lower noise, higher sensitivity, and more adjustable settings than the VideoMic, the Rode VideoMic Pro camera-mount shotgun microphone is ideal for mobile journalists, vloggers, budget filmmakers, and run-and-gun shooters looking for a cost-effective way to step up to the next level in quality.

Offering lower noise, higher sensitivity, and more adjustable settings than the VideoMic, the Rode VideoMic Pro camera-mount shotgun microphone is ideal for mobile journalists, vloggers, budget filmmakers, and run-and-gun shooters looking for a cost-effective way to step up to the next level in quality.

A single 9V battery provides up to 70 hours of run time and an LED turns red to indicate low-battery status. Adjustable gain and a selectable bass roll-off make it easy to optimize the level and tone of your recording for a range of scenarios.

This compact and lightweight shotgun microphone feature an integrated shock mount that mounts directly to your camera or boom pole and reduces noise from various vibrations. The windscreen design reduces wind noise, making it well suited for outdoor shoots. The attached 3.5mm TRS cable ensures easy hookup to your camera, and the dual-mono output means that no channel selection is necessary on your recording device.

Shotgun Mic with Directional Sound Pickup

Whereas most built-in camera microphones pick up sound from all directions, this microphone utilizes a super-cardioid polar pattern to focus on sound in front of it while attenuating sound from the sides and rear. Its low-noise electronics and sensitive condenser element deliver more detailed audio than the mics typically found in cameras and portable recorders.

Easy Hookup to Camera

A straight 3.5mm cable is permanently attached to the mic for fast hookup to your camera. The cable’s 3.5mm TRS plug is wired in a dual-mono configuration, ensuring that the mic signal is sent identically to both input channels of your camera or portable recorder.

Long Battery Life

Pop a 9V battery in the VideoMic Pro for up to 70 hours of operating time. The dedicated power LED changes from green to red when the battery should be replaced. The VideoMic Pro can still function for approximately 10 hours once the power indicator turns red, but performance will be compromised. Use the power switch to conserve battery life during periods of inactivity.

Bass Roll-Off

The high-pass filter can be set to flat or 80 Hz to roll off low-frequency noise from common sources such as air conditioners and traffic.

3-Stage Gain Control

To enable optimal recording levels, the VideoMic Pro boasts a 3-stage gain control. Like the low roll-off and high-frequency boost, the gain control is digitally switched for precision and convenience. The +20 dB setting is ideal when recording to cameras, as it boosts the signal without requiring extreme gain on the camera’s inferior preamp. Select the flat setting when routing the mic into a dedicated high-quality preamp, or switch to the -10 dB option when loud sound sources threaten to distort your recording.

Integrated Shockmount Inhibits Vibrations

Understanding that the rubber bands used in many shock mounts can snap and stretch, Rode chose to integrate a rugged Rycote Lyre suspension-style shock mount. This simplifies the setup of the mic and inhibits the transfer of vibrations from the camera. Plus, the bottom of the shock mount features a camera shoe mount with a 3/8″ thread, ensuring easy attachment to your camera or a boom pole such as Rode’s Micro Boompole (available separately).

Windscreen Minimizes Wind Noise

The VideoMic Pro has a foam windscreen to reduce unwanted wind noise from breezes, fans, heaters, and air conditioners. For maximum reduction of wind noise in outdoor environments, consider a furry windshield such as the Rode DeadCat VMPR (available separately).

Connectivity Options

Expand the microphone’s device compatibility with Rode accessories such as the SC4 and VXLR (both available separately). The SC4 is a short cable that lets you connect the VideoMic Pro directly to a smartphone or tablet equipped with a 3.5mm TRRS jack. The VXLR adapter is the ideal solution when you want to record the VideoMic Pro to a camcorder or mixer that has XLR inputs.

Specification

Microphone

Form Factor Stand/Boom-Mount
Sound Field Mono
Operating Principle Line Gradient
Capsule Electret Condenser
Diaphragm 0.5″ / 12.70 mm
Polar Pattern Supercardioid
Orientation End Address
Circuitry Solid-State (JFET)
Pad None
High-Pass Filter 80 Hz
Tone Adjustment None
Gain Adjustment -10 dB to +20 dB
Indicators 1 x Single LED (Power)
On-Board Controls Gain, High-Pass Filter, On/Off
Windscreen Foam (Included)

Performance

Frequency Range 40 Hz to 20 kHz
Maximum SPL 134 dB SPL
Off-Axis Rejection 2 dB at 60°
18 dB at 120°
10 dB at 180°
Impedance 200 Ohms
Sensitivity -32 dBV/Pa at 1 kHz
Output Level 6.9 dBu (Max)
Dynamic Range 120 dB
Signal-to-Noise Ratio 80 dB
Equivalent Noise Level 14 dB A-Weighted

Connectivity

Output Connectors 1 x 1/8″ / 3.5 mm TRS
Number of Conductors 2
Wireless Connectivity None

Power

Operating Voltage 9 V (Battery Power)
Operating Current Consumption 7.8 mA
Battery Type 1 x 9 V
Approximate Battery Life 70 Hours

Physical

Color Black
Mounting 3/8″-16 Female, Camera-Mount, Shockmount (via Integrated Hardware)
Dimensions ø: 3.94 x L: 6.69″ / ø: 100 x L: 169.93 mm
Weight 3 oz / 85 g

Packaging Info

Package Weight 0.55 lb
Box Dimensions (LxWxH) 8.6 x 5.15 x 3.1″

Included

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